Growing up in the 90s, a big part of my childhood was shaped by games built with 8-bit and 16-bit graphics. This sparked my curiosity to reimagine various music videos in a retro style, as if they had been released on vintage displays like the Apple III, Game Boy, or Game Boy Color. I took the experiment further by exploring how the videos would look if each pixel were replaced with an emoji matching its hue and saturation. Examples of this work include Aquaman and Earfquake.